Institute 193, a small contemporary art gallery in Lexington, KY, has launched a Kickstarter to fund a gift of Ed McClanahan’s visual work to the University of Kentucky Art Museum.
Institute 193 is publishing, for the first time, an unbound publication consisting of 13 drawings made by the artist and writer, Ed McClanahan, accompanied by an essay written by Elizabeth Glass, our Lexington gallery director. In addition to the creation of this portable publication, we are creating a tote bag with the aim of funding a purchase of the original works which would then be donated to the University of Kentucky Art Museum. We feel that these drawings should be kept together to be enjoyed, studied, shared, and preserved for future generations.
As a Kentucky native, Ed McClanahan’s work deserves a space in the UK Art Museum’s permanent collection, and his drawings would join artworks made by other acclaimed literary figures including Kurt Vonnegut and Wayne Koestenbaum.
The mission of the University of Kentucky Art Museum is to promote the understanding and appreciation of art to enhance the quality of life for people of Kentucky through collecting, exhibiting, preserving and interpreting outstanding works of visual art from all cultures.
About the exhibition “Out of Hand” by Ed McClanahan:
Throughout history, artists have used our collective fascination with hands to tell the larger stories of their lives and ours. In the 18th century, Anthony Van Dyck painted subdued self-portraits showing his delicate, elongated fingers resting on his shoulder to show potential patrons how much he values his hands, the tools of his trade. In 1919 Alfred Stieglitz created an entire series focusing just on Georgia O’Keeffe’s hands. One photograph in particular shows a hand placed on her bare breasts; turning what would have been considered an erotic photo into an intimate one. And in 1965, Ed McClanahan, then a burgeoning writer now known for his witty and colorful storytelling, created a series of thirteen drawings of hands as comical and strange portraits.
This series of drawings, dubbed “McClanahands” by their creator, explores an odd and varied spectrum of human emotion—each sporting its own expression and personality. One appears to be daydreaming, fingers positioned in a pose of meditation with eyes closed and mouth upturned in a slight smile. Another shows frustration, its face scrunched with anxiety, holding a stick of dynamite, its fist ready to explode. Others are smoking cigarettes, trying to hitchhike to Tijuana, or flipping the middle finger at onlookers. As a writer, McClanahan focused on hands because they are the vehicle for his writing. He unconsciously chose to draw hands at a time when Americans’ freedom was at the forefront of people’s minds, much as it is again today. Out of Hand is the first exhibition to focus on Ed McClanahan’s work as a visual artist. www.kickstarter.com
About the Artist:
In 1962 McClanahan received Stanford University’s Wallace Stegner Fellowship for Creative Writing, after which he was selected for a Jones Lectureship where he taught creative writing until 1972. During his time at Stanford, he befriended Ken Kesey, American novelist and author of One Flew Over the Cuckoo’s Nest. Kesey, together with a number of other notable writers and artists, formed the Merry Pranksters, a group famously known for their journey across the United States to promote American ideals of freedom through LSD. These thirteen drawings, affectionately titled Ten Schizophrenic Drawings, were made while the artist was living in northern California amongst Kesey and the Merry Pranksters. McClanahan has been widely published with stories appearing in Playboy, Esquire, and Rolling Stone among many others. Between 1975 and the present, Ed has written 12 books, including The Natural Man in 1983, and Famous People I Have Known in 1985. He lives in Lexington, Kentucky.
